My work focuses on existential issues, which I express through still-life compositions that use objects and materials to explore the complexities of human existence. I work exclusively with inanimate objects, building precise arrangements in which meaning emerges through relationships, tension, and spatial clarity. Each element is selected and placed with deliberation, forming images that exist not as documents of reality, but as constructed propositions.

I use a photographic technique known as light painting, illuminating each part of the composition by hand over extended exposures. This process allows the image to be built gradually, giving light a structural role rather than a descriptive one. Illumination does not merely reveal the subject - it defines its presence. The resulting photographs occupy a space between photography and painting, where time, perception, and material coexist within a single, resolved frame.

Central to my practice is the pursuit of independence and control. By working with objects rather than living subjects, I remove unpredictability and author every aspect of the image. This autonomy allows the work to function as a direct translation of internal inquiry into external form. The objects themselves remain ordinary, but through isolation and precise orchestration, they assume metaphysical and philosophical weight.

My photographs do not illustrate answers. Instead, I establish conditions in which uncertainty, mortality, belief, and consciousness can be encountered visually. Each image exists as a complete and self-contained structure; silent, deliberate, and resistant to resolution.